But while Bok
lacked musical knowledge, his instinct led him to adhere to his belief
in Hofmann; and for twelve years, until Bok's retirement as editor, the
pianist was a regular contributor to the magazine. His success was, of
course, unquestioned. He answered hundreds of questions sent him by
his readers, and these answers furnished such valuable advice for piano
students that two volumes were made in book form and are to-day used by
piano teachers and students as authoritative guides.
Meanwhile, Bok's marriage had brought music directly into his domestic
circle. Mrs. Bok loved music, was a pianist herself, and sought to
acquaint her husband with what his former training had omitted.
Hofmann and Bok had become strong friends outside of the editorial
relation, and the pianist frequently visited the Bok home. But it was
some time, even with these influences surrounding him, before music
began to play any real part in Bok's own life.
He attended the opera occasionally; more or less under protest, because
of its length, and because his mind was too practical for the indirect
operatic form.
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