Another cause of this dissension appears to have been the Notes
upon "Virgil," for which Tonson would allow no additional emolument to
the author, although Dryden says, "that to make them good, would cost
six months' labour at least," and elsewhere tells Tonson ironically,
that, since not to be paid, they shall be short, "for the saving of the
paper." I cannot think that we have sustained any great loss by Tonson's
penurious economy on this occasion. In his prefaces and dedications,
Dryden let his own ideas freely forth to the public; but in his Notes
upon the Classics, witness those on "Juvenal" and "Persius," he neither
indulged in critical dissertations on particular beauties and defects,
nor in general remarks upon the kind of poetry before him; but contented
himself with rendering into English the antiquarian dissertations of
Dacier and other foreign commentators, with now and then an explanatory
paraphrase of an obscure passage. The parodies of Martin Scriblerus had
not yet consigned to ridicule the verbal criticism, and solemn trifling,
with which the ancient schoolmen pretended to illustrate the classics.
But beside the dispute about the notes in particular, and the various
advantages which Dryden suspected Tonson of attempting in the course of
the transaction, he seems to have been particularly affronted at a
presumptuous plan of that publisher (a keen Whig, and secretary of the
Kit-cat club) to drive him into inscribing the translation of Virgil to
King William.
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