[29] In 1702, probably in the capacity of civic-laureate, he wrote
"_Carmen Irenicum_," upon the union of the two East India companies; and
long afterward, in 1717, he is mentioned by Dennis as still the city
poet.
[30] He published a translation of the tenth satire of Juvenal, in the
preface to which he rails plentifully against Dryden.
[31] [The omission of Marston here is remarkable, because no satirist
exhibits this extraordinary roughness of versification more glaringly.
Scott can hardly have read him.--ED.]
I infer, that the want of harmony was intentional, from these
expressions: "It is not for every one to relish a true and natural
satire; being of itself, besides the nature and inbred bitterness and
tartness of particulars, both hard of conceit and harsh of style, and
therefore cannot but be unpleasing both to the unskilful and
over-musical ear; the one being affected with only a shallow and easy,
the other with a smooth and current, disposition."--_Postscript to
Hall's Satires_.
[32] In "Venice Preserved," the character of the foolish senator
Antonio, now judiciously omitted in the representation was said to be
meant for Shaftesbury. But Crowne's "City Politics" contained the most
barefaced exhibition of all the popular leaders, including Shaftesbury,
College the Protestant joiner, Titus Oates, and Sir William Jones. The
last is described under the character of Bartoline, with the same
lisping imperfect enunciation which distinguished the original.
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