A
desolate stillness reigns here; no sound reaches us, either of labor or
the steps of passing workmen. A cold stream of water trickles from a
cleft rock behind us; we bathe our foreheads in it, and betake ourselves
to the ladder again.
From our next resting-place we proceed through a gallery, an exhausted
vein, kept open as a passage from one shaft to another. As we turn a
corner, we seem to plunge into a rocky cavern; our feet tread on
roughly imbedded rocks; the sides of the cave jut out in refuse
boulders,--harsh, dark-colored, ashen; overhead are beams of hard wood,
bracing and strengthening the excavation. We traverse this gallery
hastily.
Now that we are here, we are conscious of excitement. _Mon Amie_
manifests hers by her steady, deliberate tones, a sort of exaltation
foreign to her usually vibrating voice, her tremulous cadences; she
seems borne along, despite and above herself. For my own part, as my
lungs inflate themselves with this pure, dry, bracing air, exquisitely
redolent of health, and testifying at once to a total exemption
from noxious exhalations or mephitic vapors, I grow _tete-montee_,
rattle-brained; my laugh echoes through these stony chambers, wild
snatches of song hover on my lips, odd conceits flit through my brain,
I joke, I dash forward with haste; my excitement endows me with a
superfeminine self-possession.
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