At length, by the
good offices of a secretary and the latter's uncle, a priest, he
pleads with his wife more efficaciously, and induces her to return to
him, yet without her pardoning herself; and she dies in giving birth
to a child, dies because she wishes, rather from wounded pride, it
would appear, than on account of her husband, to whose affection she
is strangely insensible. The heroine is not particularly interesting
with her morbidness and hysterical posing; she probably stands for one
of Balzac's principles, and his principles are the most tedious thing
about him.
With the _Muse of the County_, which the author declared to be
Constant's _Adolphe_ treated realistically, we are back in the truer
Balzacian manner. Dinah de la Baudraye--a Sancerre Catherine de
Vivonne--married to an apology for a man, is human flesh and blood;
and her love for the journalist Etienne Lousteau is natural, though
culpable. Indeed, her subsequent devotion to this shallow egotist is
not without greatness. Here the novelist, as much by his wit as by his
denouement, gives perhaps the best practical condemnation of adultery.
"Bah!" says the little de la Baudraye, "do you call it vengeance,
because the Duke of Bracciano will kill his wife for putting him into
a cage and showing herself to him in her lover's arms.
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