The piece was not
performed in its author's life-time; but friends were acquainted with
it already in 1840, when Gautier and the rest of the inner circle were
summoned to Les Jardies to hear the hermit read it, differing
considerably then from the arrangement that was ultimately played.
Balzac read it well, with all the inflections peculiar to each
character and suitable to every change of circumstance. He had in him,
says Gautier, the stuff of a great actor, possessing a full, sonorous,
metallic voice of rich, powerful timbre, and kept his audience under
the spell from the beginning to the end of the recitation. If Vedel
and Desmousseaux, the administrators of the Comedie Francais heard him
interpret his own pieces, they might be excused for having, as he
asserted they had, a high opinion of his dramatic talent.
[*] English, _Jobber_.
The greatest honour done to Les Jardies during the hermit's residence
there was a visit of Victor Hugo, who came to talk over the affairs of
the Men of Letters Society. During lunch, the conversation naturally
turned on literature, and the host waxed bitter against the stupidity
of kings that neglected letters, and against Louis-Philippe in
particular, who had recently put a stop to the evening gatherings
--chimney-gatherings they were called--held by the Duke of Orleans for
the purpose of honouring the arts.
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