In _Pere Goriot_, the publication of which came close at the heels of
the _Search for the Absolute_, Balzac traces the gradual
impoverishment of a fond father by his two daughters, married, the one
to a nobleman, the other to a banker, and whose husbands, when they
have received the marriage dowry, give their father-in-law, who is a
plebeian, the cold shoulder, and forbid their wives to see him unless
in secret. Goriot's daughters, losing in their grand surroundings the
little filial affection they ever had, exploit the old man's worship
of them shamelessly. If they visit him in the boarding-house to which
he has retired, after selling his home to endow them more richly, it
is solely to get from him for their pleasures the portion of his
wealth he has retained for his own wants. And he never refuses them,
but sells and sells, until, at last, he is reduced to lodge in the
garret of the boarding-house and eat almost the refuse of the table.
Around this tragic central figure are grouped the commensals of the
Vauquer _pension_, Rastignac, the young law-student, with shallow
purse and aristocratic connections; Bianchon, the future great-gun in
medicine, at present walking the hospitals and attending lectures and
practising dissections; Victorine Taillefer, the rejected daughter of
a guilty millionaire; Mademoiselle Michonneau, the soured spinster,
who ferrets out the identity of her fellow-boarder Vautrin, and
betrays to justice this cynical outlaw installed so quietly, and, to
all appearance, safely, in the _pension_, where Madame Vauquer, the
traipsing widow, lords it serenely, attentive only to her profits.
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