Of her own charms she had spoken truly. Daffinger's miniature of her,
painted when she was thirty, represents her as abundantly endowed by
nature; and Gigoux' pastel of 1852, which is less faithful and shows
her considerably older, still gives substantially the portrait that
Barbey d'Aurevilly sketched of her after Balzac's death: "She was of
imposing and noble beauty, somewhat massive," says this writer. "But
she knew how to maintain, despite her embonpoint, a very great charm,
which was enhanced by her delightful foreign accent. She had splendid
shoulders, the finest arms in the world, and a complexion of radiant
brilliancy. Her soft black eyes, her full red lips, her framing mass
of curled hair, her finely chiselled forehead, and the sinuous grace
of her gait gave her an air of abandon and dignity together, a haughty
yet sensuous expression which was very captivating."
Fascinated by Balzac's masterly delineation of her sex, and longing to
learn more about the man who had appealed to her so powerfully, she
contrived a journey to Switzerland in 1833, in which her husband and
child accompanied her. Switzerland was a land easier for a noble
Russian subject to obtain permission to visit.
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