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Various

"Punch, or the London Charivari, Volume 101, September 19, 1891"

Orpheus going to
find Eurydice. No Cerberus about, thank goodness. Wonder if any rats
or blackbeetles? By the way, Cerberus would have been a nasty one for
rats. Cerberus, with three to one on him ("Heads I win--tails you rats
lose"), doing a match against time in killing rats, is a fine subject
for a weird classical picture yet to be painted. What R.A. could
grapple with so tremendous a composition? On returning to "carp the
upper air," must mention the subject to Sir FREDERICK the Great.
Cerberus would be a nasty one for rats to tackle. My ideas of anything
alive underground are generally associated with suchlike warmint.
At last--out of the tunnel! and now, I presume, in the caves. Here
someone, gradually assuming a palpable form, emerges from somewhere
out of a dark corner, and hands to each of us a long piece of wood
about the length of a harlequin's bat (_note_, pantomime again), only
that this is an inch or so thick and quite two inches wide at one end,
where presently a candle is fixed by an attendant sprite,--the slave
of the tallow candle,--and the wand, so to speak, tapers off towards
the handle. _A propos_ of "tapers off"--the question occurs to me,
later on, as we pass through labyrinths of dark passages, where should
I be in the case of "taper off"? Beautiful title for sensational
story--"Lost in the Catacombs.


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