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Rohmer, Sax, 1883-1959

"The Yellow Claw"

Gaston Max obtained information in Paris," he said, "which
he placed, unreservedly, at my disposal. We went into the matter
thoroughly, with the result that our conclusions were identical.
A certain Mr. King is at the bottom of this mystery, and, in all
probability, Mr. King is a Chinaman. Do I make myself clear?"
Sowerby and Stringer looked at one another, perplexedly. Each man
finished his drink in silence. Then:
"What took place in Paris?" began Sowerby.
There was an interruption. A stooping figure in a shabby, black
frock-coat, the figure of a man who wore a dilapidated bowler pressed
down upon his ears, who had a greasy, Semitic countenance, with a
scrubby, curling, sandy colored beard, sparse as the vegetation of a
desert, appeared at Sowerby's elbow.
He carried a brimming pewter pot. This he set down upon a corner of the
table, depositing himself in a convenient chair and pulling out a very
dirty looking letter from an inside pocket. He smoothed it carefully. He
peered, little-eyed, from the frowning face of Dunbar to the surprised
countenance of Sowerby, and smiled with native amiability at the
dangerous-looking Stringer.
"Excuthe me," he said, and his propitiatory smile was expansive and
dazzling, "excuthe me buttin' in like thith.


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