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Rohmer, Sax, 1883-1959

"The Yellow Claw"

The traveler's hat was of
velour, silver gray and boasting a partridge feather thrust in its
silken band. One glimpse of the outfit must have brought the entire
staff of the Tailor and Cutter to an untimely grave.
But if ever man was born who could carry such a make-up, this
traveler was he. The face was cut on massive lines, on fleshy lines,
clean-shaven, and inclined to pallor. The hirsute blue tinge about
the jaw and lips helped to accentuate the virile strength of the long,
flexible mouth, which could be humorous, which could be sorrowful, which
could be grim. In the dark eyes of the man lay a wealth of experience,
acquired in a lifelong pilgrimage among many peoples, and to many lands.
His dark brows were heavily marked, and his close-cut hair was splashed
with gray.
Let us glance at the lady who accepted his white-gloved hand, and who
sprang alertly onto the platform beside him.
She was a woman bordering on the forties, with a face of masculine
vigor, redeemed and effeminized, by splendid hazel eyes, the kindliest
imaginable. Obviously, the lady was one who had never married, who
despised, or affected to despise, members of the other sex, but who had
never learned to hate them; who had never grown soured, but who found
the world a garden of heedless children--of children who called for
mothering.


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