The flap of the letter-box dropped;
and the girl outside could be heard stifling her laughter.
"You must think me--er--very rude," began Leroux; "I mean--not to open
the door. But"...
"I quite understand," concluded the voice of the unseen one. "You are a
most untidy object! And I shall tell Mira DIRECTLY she returns that she
has no right to leave you alone like this! Now I am going to hurry back
upstairs; so you may appear safely. Don't let the omelette get cold.
Good night!"
"No, certainly I shall not!" cried Leroux. "So good of you--I--er--do
like omelette.... Good night!"
Calmly he returned to his writing-table, where, in the pursuit of the
elusive character whose exploits he was chronicling and who had brought
him fame and wealth, he forgot in the same moment Helen Cumberly and the
omelette.
The table-clock ticked merrily on;
SCRATCH--SCRATCH--SPLUTTER--SCRATCH--went Henry Leroux's pen; for this
up-to-date litterateur, essayist by inclination, creator of "Martin
Zeda, Criminal Scientist" by popular clamor, was yet old-fashioned
enough, and sufficient of an enthusiast, to pen his work, while lesser
men dictated.
So, amidst that classic company, smiling or frowning upon him from the
oaken shelves, where Petronius Arbiter, exquisite, rubbed shoulders
with Balzac, plebeian; where Omar Khayyam leaned confidentially toward
Philostratus; where Mark Twain, standing squarely beside Thomas Carlyle,
glared across the room at George Meredith, Henry Leroux pursued the
amazing career of "Martin Zeda.
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