THE MISTRESS. What shall it be?
THE PARSON. Give us the larghetto from Beethoven's second symphony.
The Young Lady puts aside her portfolio. Herbert looks at the young
lady. The Parson composes himself for critical purposes. Mandeville
settles himself in a chair and stretches his long legs nearly into
the fire, remarking that music takes the tangles out of him.
After the piece is finished, lunch is announced. It is still
snowing.
FOURTH STUDY
It is difficult to explain the attraction which the uncanny and even
the horrible have for most minds. I have seen a delicate woman half
fascinated, but wholly disgusted, by one of the most unseemly of
reptiles, vulgarly known as the "blowing viper" of the Alleghanies.
She would look at it, and turn away with irresistible shuddering and
the utmost loathing, and yet turn to look at it again and again, only
to experience the same spasm of disgust. In spite of her aversion,
she must have relished the sort of electric mental shock that the
sight gave her.
I can no more account for the fascination for us of the stories of
ghosts and "appearances," and those weird tales in which the dead are
the chief characters; nor tell why we should fall into converse about
them when the winter evenings are far spent, the embers are glazing
over on the hearth, and the listener begins to hear the eerie noises
in the house.
Pages:
337
338
339
340
341
342
343
344
345
346
347
348
349
350
351
352
353
354
355
356
357
358
359
360
361