When the mistress is absent, this room, although
everything is here as it was before, does not look at all like the
same place; it is stiff, and seems to lack a soul. When she returns,
I can see that her eye, even while greeting me, takes in the
situation at a glance. While she is talking of the journey, and
before she has removed her traveling-hat, she turns this chair and
moves that, sets one piece of furniture at a different angle,
rapidly, and apparently unconsciously, shifts a dozen little
knick-knacks and bits of color, and the room is transformed. I
couldn't do it in a week.
THE MISTRESS. That is the first time I ever knew a man admit he
couldn't do anything if he had time.
HERBERT. Yet with all their peculiar instinct for making a home,
women make themselves very little felt in our domestic architecture.
THE MISTRESS. Men build most of the houses in what might be called
the ready-made-clothing style, and we have to do the best we can with
them; and hard enough it is to make cheerful homes in most of them.
You will see something different when the woman is constantly
consulted in the plan of the house.
HERBERT. We might see more difference if women would give any
attention to architecture.
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